Distortion

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Discussing the documentary nature of photography has long been a commonplace. What else can photography do? Whether it’s confirmed photography or emotional photography, if you remove the real record evidence, visual personal feelings, and what is left of the medium of photography, in this project, I try to use photography as a paintbrush and photos into paint. Through the distorted processing method, each photo becomes an abstract stroke or an element in the work. I selected the artists I like and arranged some of my own works. The original meaning of the work disappeared, and they passed a new one. The form entered into this work, even though it is the same processing method, it magically shows different temperaments. Without the documentary nature, no emotions can be seen.
对于摄影纪实性的讨论早已是老生常谈的事了，摄影还能做什么？无论是证实的摄影还是情绪的摄影，如果去除了真实的记录证据，视觉的个人感受，摄影这个媒介还剩下什么，在这个项目中，我尝试把摄影当作画笔，把照片变成颜料，通过扭曲的处理方法，每张照片成为了作品中抽象的一笔或者说是一个元素.我挑选了我喜欢的艺术家和自己的一些作品排布其中，作品原本的意义消散了，它们通过一个新的形式进入了这个作品，即使是同样的处理方式却又神奇的展现着不同的气质，没有了纪实性也看不到什么情绪。